Eclogue IV: The Golden Age
by Virgil the Poet
Muses of Sicily, let me sing a little more grandly.
Orchards and humble tamarisks don’t please everyone:
if I sing of the woods, let the woods be fit for a Consul.
Now the last age of the Cumaean prophecy (Sibyl) begins:
the great roll-call of the centuries is born anew:
now Virgin Justice returns, and Saturn’s reign:
now a new race descends from the heavens above.
Only favour the child who’s born, pure Lucina, under whom
the first race of iron shall end, and a golden race
rise up throughout the world: now your Apollo reigns.
For, Pollio, in your consulship, this noble age begins,
and the noble months begin their advance:
any traces of our evils that remain will be cancelled,
while you lead, and leave the earth free from perpetual fear.
He will take on divine life, and he will see gods
mingled with heroes, and be seen by them,
and rule a peaceful world with his father’s powers.
And for you, boy, the uncultivated earth will pour out
her first little gifts, straggling ivy and cyclamen everywhere
and the bean flower with the smiling acanthus.
The goats will come home themselves, their udders swollen
with milk, and the cattle will have no fear of fierce lions:
Your cradle itself will pour out delightful flowers:
And the snakes will die, and deceitful poisonous herbs
will wither: Assyrian spice plants will spring up everywhere.
And you will read both of heroic glories, and your father’s deeds,
and will soon know what virtue can be.
The plain will slowly turn golden with tender wheat,
and the ripe clusters hang on the wild briar,
and the tough oak drip with dew-wet honey.
Some small traces of ancient error will lurk,
that will command men to take to the sea in ships,
encircle towns with walls, plough the earth with furrows.
Another Argo will arise to carry chosen heroes, a second
Tiphys as helmsman: there will be another War,
and great Achilles will be sent once more to Troy.
Then when the strength of age has made you a man,
the merchant himself will quit the sea, nor will the pine ship
trade its goods: every land will produce everything.
The soil will not feel the hoe: nor the vine the pruning hook:
the strong ploughman too will free his oxen from the yoke:
wool will no longer be taught to counterfeit varied colours,
the ram in the meadow will change his fleece of himself,
now to a sweet blushing purple, now to a saffron yellow:
scarlet will clothe the browsing lambs of its own accord.
‘Let such ages roll on’ the Fates said, in harmony,
to the spindle, with the power of inexorable destiny.
O dear child of the gods, take up your high honours
(the time is near), great son of Jupiter! (Saturn)
See the world, with its weighty dome (Firmament) bowing,
earth and wide sea and deep heavens:
see how everything delights in the future age!
O let the last days of a long life remain to me,
and the inspiration to tell how great your deeds will be:
Thracian Orpheus and Linus will not overcome me in song,
though his mother helps the one, his father the other,
Calliope Orpheus, and lovely Apollo Linus.
Even Pan if he competed with me, with Arcady as Judge,
even Pan, with Arcady as judge, would account himself beaten.
Little child, begin to recognise your mother with a smile:
ten months have brought a mother’s long labour.
Little child, begin: he on whom his parents do not smile
no god honours at his banquets, no goddess in her bed.
Virgil - The Eclogues. A new downloadable translation www.poetryintranslation.com |
Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio.
The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world. The exact meaning of the poem is still debated. Earlier interpretations argued that the child was the hoped-for offspring of Mark Antony and Octavia the Younger. Some commentators shy away from imagining the child as a specific person. Edwin Floyd, for example, argued that the child could be seen metaphorically as Virgil's poetry. Another possibility, argued by Francis Cairns, is that the child is the expected offspring of Virgil's patron Gaius Asinius Pollio, to whom the poem is dedicated.
