In my opinion, the "floor-crossers" were targeted and threatened. Their silence is being shielded by some form of reward, or punishment, if they reveal what has transpired. The fact that these individuals have betrayed their own electorate is deeply disturbing. Why would anyone cross the floor when the Liberal agenda is progressing without a majority. What has transpired has nothing to do with Poilievre's leadership abilities. The latest floor-crossing had everything to do with undermining Poilievre's success on the Joe Rogan podcast, as well as assist the Liberals with solidifying victories in the three current by-elections. Canadians are paying a price for freedom, in that our elected officials are opting for treason, rather than democracy.
To date the Bloc has assisted the Liberal Party with C-9 and other bills - in the hope that their Party will benefit in the future. This is the same mistake the NDP and Jagmeet Singh made. Not only did Singh help keep in power one the most corrupt and criminal Liberal governments in Canadian history, he destroyed the NDP party in the process. What Canadians may not know is that Trudeau, Carney and Singh were all on the same team. They were all "Young Global Leaders" of the WEF, working hand in hand to introduce a communist technocracy in Canada. Singh didn't just lose, he made sure the NDP were obliterated.
The Liberal Party is a Globalist Party which seeks to undo Canada by creating massive debt and unemployment. Canada's future success is not dependent on Mark Carney, but rather on Donald Trump, whether we like it or not. Unfortunately, Carney will become the recipient of all the accolades if CUSMA is ratified and our economy rebounds - provided Canada remains the Canada we know today.
November 4, 2025: Chris d'Entremont, MP for Acadie-Annapolis, leaves the Conservative Party to join the Liberal Party.
December 11, 2025: Michael Ma, MP for Markham-Unionville, leaves the Conservative Party to join the Liberal Party.
February 18, 2026: Matt Jeneroux, MP for Edmonton-Riverbend, leaves the Conservative Party to join the Liberal Party.
March 10, 2026: Lori Idlout, MP for Nunavut, leaves the New Democratic Party to join the Liberal Party.
April 8, 2026: Marilyn Gladu, MP for Sarnia—Lambton—Bkejwanong, leaves the Conservative Party to join the Liberal Party.
In 1925, American political cartoonist Robert “Bob” Minor created a powerful illustration titled “One Day They’ll Wake Up,” capturing the global tensions and power dynamics of the early 20th century. The cartoon depicts three large figures labeled China, India, and Africa standing over a much smaller figure labeled U.S. Imperialism. The imagery reflects a growing awareness during that period that colonized and exploited regions of the world were beginning to recognize their shared experiences under imperial rule.
At the time, much of Africa and Asia was under European colonial control, while global powers competed for influence, resources, and political dominance. Movements for independence and self determination were beginning to take shape, fueled by resistance to economic exploitation, forced labor, and foreign governance. The cartoon reflects the idea that if these regions united or became fully conscious of their collective strength, the balance of power could shift dramatically.
Robert Minor himself was known for his involvement in political activism and his critiques of imperialism and inequality. His work often used visual satire to challenge dominant narratives and to highlight issues that were not always openly discussed in mainstream discourse. This particular cartoon fits within a broader tradition of early 20th century political art that sought to question global hierarchies and draw attention to the realities of colonial rule.
The figures representing China, India, and Africa are symbolic rather than literal, each standing in for vast and diverse regions with their own histories and struggles. The cartoon simplifies complex global systems into a single image, making a bold statement about power, resistance, and the potential for change. While the message reflects the political climate of its time, it also connects to ongoing conversations about global inequality, sovereignty, and historical legacy.
At the time, much of Africa and Asia was under European colonial control, while global powers competed for influence, resources, and political dominance. Movements for independence and self determination were beginning to take shape, fueled by resistance to economic exploitation, forced labor, and foreign governance. The cartoon reflects the idea that if these regions united or became fully conscious of their collective strength, the balance of power could shift dramatically.
Robert Minor himself was known for his involvement in political activism and his critiques of imperialism and inequality. His work often used visual satire to challenge dominant narratives and to highlight issues that were not always openly discussed in mainstream discourse. This particular cartoon fits within a broader tradition of early 20th century political art that sought to question global hierarchies and draw attention to the realities of colonial rule.
The figures representing China, India, and Africa are symbolic rather than literal, each standing in for vast and diverse regions with their own histories and struggles. The cartoon simplifies complex global systems into a single image, making a bold statement about power, resistance, and the potential for change. While the message reflects the political climate of its time, it also connects to ongoing conversations about global inequality, sovereignty, and historical legacy.
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